Lest my title be misunderstood, as some people misunderstood the book with the cover that had the author "Stanley L. Jaki" beneath the title The Savior of Science, rather as if the one referred to the other - I must say, NO, I do NOT mean that our Uncle Gilbert Chesterton is the "Merciful Master of Paradox". That title refers to the same Person as does the book by Father Jaki. Yes, when it comes to paradox, all that GKC can really be credited with is writing them - he did not make them, any more than he made the stars, those things which are simultaneously the smallest (in appearance) and also the largest (in existence) of visible things. But in order for you to grasp this, please read our excerpts for today, Quasimodo Sunday - Low Sunday - Divine Mercy Sunday - the first Sunday after Easter - and you will understand why Jesus is the Merciful Master of Paradox.
We have all heard people say a hundred times over, for they seem never to tire of saying it, that the Jesus of the New Testament is indeed a most merciful and humane lover of humanity, but that the Church has hidden this human character in repellent dogmas and stiffened it with ecclesiastical terrors until it has taken on an inhuman character. This is, I venture to repeat, very nearly the reverse of the truth. The truth is that it is the image of Christ in the churches that is almost entirely mild and merciful. It is the image of Christ in the Gospels that is a good many other things as well. The figure in the Gospels does indeed utter in words of almost heartbreaking beauty his pity for our broken hearts. But they are very far from being the only sort of words that he utters. Nevertheless they are almost the only kind of words that the Church in its popular imagery ever represents him as uttering. That popular imagery is inspired by a perfectly sound popular instinct. The mass of the poor are broken, and the mass of the people are poor, and for the mass of mankind the main thing is to carry the conviction of the incredible compassion of God. But nobody with his eyes open [see postscript] can doubt that it is chiefly this idea of compassion that the popular machinery of the Church does seek to carry. The popular imagery carries a great deal to excess the sentiment of "Gentle Jesus, meek and mild." It is the first thing that the outsider feels and criticises in a Pieta or a shrine of the Sacred Heart. As I say, while the art may be insufficient, I am not sure that the instinct is unsound. In any case, there is something appalling, something that makes the blood run cold, in the idea of having a statue of Christ in wrath. There is something insupportable even to the imagination in the idea of turning the corner of a street or coming out into the spaces of a market-place, to meet the petrifying petrifaction of that figure as it turned upon a generation of vipers [Mt 23:33], or that face as it looked at the face of a hypocrite [Mt 15:7]. The Church can reasonably be justified therefore if she turns the most merciful face or aspect towards men; but it is certainly the most merciful aspect that she does turn. And the point is here that it is very much more specially and exclusively merciful than any impression that could be formed by a man merely reading the New Testament for the first time. A man simply taking the words of the story as they stand would form quite another impression; an impression full of mystery and possibly of inconsistency; but certainly not merely an impression of mildness.
[GKC The Everlasting Man CW2:319-20]
All that people fear in the Church, all that they hate in her, all against which they most harden their hearts and sometimes (one is tempted to say) thicken their heads, all that has made people consciously and unconsciously treat the Catholic Church as a peril, is the evidence that there is something here that we cannot look on at languidly and with detachment, as we might look on at Hottentots dancing at the new moon or Chinamen burning paper in porcelain temples. The Chinaman and the tourist can be on the best of terms on a basis of mutual scorn. But in the duel of the Church and the world is no such shield of contempt. The Church will not consent to scorn the soul of a coolie or even a tourist; and the measure of the madness with which men hate her is but their vain attempt to despise.
Another element, far more deep and delicate and hard to describe, is the immediate connection of what is most awful and archaic with what is most intimate and individual. It is a miracle in itself that anything so huge and historic in date and design should be so fresh in the affections. It is as if a man found his own parlour and fireside in the heart of the Great Pyramid. It is as if a child's favourite doll turned out to be the oldest sacred image in the world, worshipped in Chaldea or Nineveh. It is as if a girl to whom a man made love in a garden were also, in some dark and double fashion, a statue standing for ever in a square. It is just here that all those things which were regarded as weakness come in as the fulness of strength. Everything that men called sentimental in Roman Catholic religion, its keepsakes, its small flowers and almost tawdry trinkets, its figures with merciful gestures and gentle eyes, its avowedly popular pathos and all that Matthew Arnold meant by Christianity with its "relieving tears" - all this is a sign of sensitive and vivid vitality in anything so vast and settled and systematic. There is nothing quite like this warmth, as in the warmth of Christmas, amid ancient hills hoary with such snows of antiquity. It can address even God Almighty with diminutives. In all its varied vestments it wears its Sacred Heart upon its sleeve. But to those who know that it is full of these lively affections, like little leaping flames, there is something of almost ironic satisfaction in the stark and primitive size of the thing, like some prehistoric monster; in its spires and mitres like the horns of giant herds or its colossal cornerstones like the four feet of an elephant. It would be easy to write a merely artistic study of the strange externals of the Roman religion, which should make it seem as uncouth and unearthly as Aztec or African religion. It would be easy to talk of it as if it were really some sort of mammoth or monster elephant, older than the Ice Age, towering over the Stone Age; his very lines traced, it would seem, in the earthquakes or landslides of some older creation, his very organs and outer texture akin to unrecorded patterns of vegetation and air and light - the last residuum of a lost world. But the prehistoric monster is in the Zoological Gardens and not in the Natural History Museum. The extinct animal is still alive. And anything outlandish and unfamiliar in its form accentuates the startling naturalness and familiarity of its mind, as if the Sphinx began suddenly to talk of the topics of the hour. The super-elephant is not only a tame animal but a pet; and a young child shall lead him. [cf Isaiah 11:6]
[GKC The Catholic Church and Conversion CW3:96-7]
Postscript: "nobody with his eyes open": this phrase has a curious antecedant, which ties the above two selections together:
No two ideals could be more opposite than a Christian saint in a Gothic cathedral and a Buddhist saint in a Chinese temple. The opposition exists at every point; but perhaps the shortest statement of it is that the Buddhist saint always has his eyes shut, while the Christian saint always has them very wide open. The Buddhist saint has a sleek and harmonious body, but his eyes are heavy and sealed with sleep. The mediaeval saint's body is wasted to its crazy bones, but his eyes are frightfully alive. There cannot be any real community of spirit between forces that produced symbols so different as that. Granted that both images are extravagances, are perversions of the pure creed, it must be a real divergence which could produce such opposite extravagances. The Buddhist is looking with a peculiar intentness inwards. The Christian is staring with a frantic intentness outwards. If we follow that clue steadily we shall find some interesting things.
[GKC Orthodoxy CW1:336]